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Tending
Towards the Horizontal
32 minutes 16 mm 1988
The voice-over text,
written and performed by France Daigle, creates three images which
recur alternately throughout the film: a bird flapping its wings
tirelessly; a figure (man, boy?) who sits on a hay bale, watching
the city below; and a woman in a library who reads only what others
have left behind. The filmed images are predominantly houses: houses
seen in passing along the horizontal; houses reflecting sky and
trees in their windows; houses partially hidden by trees or the
shadows they cast; houses and office towers simultaneously pictured
in stages of demolition and construction. The images dissolve in
and out of the flickering light and dark (sunlight and shadow and
the emulsion of the film itself). The site of the self is home.
A house is a construct and, per Heidegger, language is the house
of being.
“Suddenly
you are here, at home, and the reality is revealed. The reality
was always there, you were not there. It is not the truth which
has to be sought, it is you who have to be brought home.”
(Rajneesh)
“Tending's
footage consists of tracking shots of houses and other buildings,
a horizontal movement that has considerable symbolic resonance for
Sternberg. A train is described in the voice-over as "moving
horizontal through the darkness," after which the same voice
remarks that "light is new, darkness is old." Several
of Sternberg's house images display light as an obscuring element,
bleaching out the forms and colours. Sternberg is on the side of
darkness, the old original matter of life. Nature, the oldest of
old things, is personalized, while the human figures of the voice-over
are neutral: "she," and "the person." Somewhere
in between are the houses, appearing at times like Heidegger's metaphoric
house of being, at others like objects for serialist manipulation,
the leavings of someone else's experience. A voice-over narrative
describing a woman in a library explains: "She reads only what
others have left behind."
Its feminism is
subtle—indeed it seems hard to believe that a film dominated
by housing facades could be feminist at all. Yet the feminist theme
of bodily reality is there all along, so that when an image of the
body finally appears, it seems almost a relief. The world, the house,
the body—it's difficult in this scheme of things to decide
where the boundaries should lie.” (Globe and Mail, Robert
Everett-Green)
Tending Towards
the Horizontal credits
Producer/Director/Writer: Barbara Sternberg
Length: 32 minutes
Year of Production: 1988
voice-over: France Daigle
Country of Production: Canada
Exhibition format: 16mm
Preview format: vhs
Available from:
Canadian Filmmakers' Distribution Centre
telephone: 416-588-0725, e-mail: bookings@cfmdc.org
web: www.cfmdc.org
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